Scribblebook Wednesday #1 - Nennir knotwork

Due to my apparent complete lack of ability to keep this blog updated regularly, I've decided to take some inspiration from the wonderful world of Havi Brooks, of The Fluent Self. She has a couple of weekly blog rituals, and I thought it might be fun to do something similar here. When I'm designing, I tend to work stuff out visually, pencil and paper and graphs, and as a result, I have lots and lots of design notebooks filled with drawings, charts, calculations, etc. I am by no means any kind of artist, I like to draw out my ideas, but they are definitely scribbles rather than sketches. I always find it fascinating to see other designers' notebooks, so henceforth, every Wednesday I shall show you a page or two of my own. It may not always be pretty but I hope it may at least be an entertaining little peek into my designing process. :)P1010775

This page shows me working out the Celtic knotwork panel for Nennir (which was published in Knitty Winter 2012 - probably the most exciting thing to happen to me in quite some time!). You can see that I played with a few different variations of the shape of the knot before deciding on one that I liked best. The pencil sketch in the top left corner shows how I've constructed the knotwork - this is a technique I learnt from the writings of George Bain and Aidan Meehan. This is how I usually work when designing Celtic cables - I play around until I've drawn a cable I like, then I look long and hard at it and figure how to translate it into knitted cables. Usually I pick a spot in the centre of the knot and work outwards symmetrically. Maybe one day I'll do a series of posts on my techniques of translating drawn Celtic knots to knitted Celtic knots, but it's a complex process, so I shall stop there for now!

If any other designers would like to share some pages from their notebooks, I'd love to see them! :)

 

Shiny!

I'm sorry, blog. I seem to be pretty bad at updating you, and I'm not sure why it is. Perhaps just a question of habit? And also I guess the feeling that no one's out there reading this (which I know isn't true, but anyway even it was - that's actually a rather liberating thought!). So, a random assortment of photographs is called for, I think.

First: new shawl pin! I got this from Nicholas and Felice on Etsy and I'm in love with it. It's aluminium, so a lot lighter than it looks, which is great for lace shawls! I now want to go and re-photograph all my shawls styled with this pin. Hope to acquire more loveliness from them in the future!

Nichols and Felice shawl pin

New shawl design, which I have so far utterly failed to announce on this blog! Hildina is a simple top-down shawl inspired by Estonian lace and designed to work with a variety of different yarn weights.

Hildina shawl

And here's a photo of the beach near Dornoch (north Scotland, near Inverness!) where I was recently on holiday with my parents...

Despite my lack of updates on this blog, my design work has been going really well. I had a design accepted for publication in a UK magazine next spring (found out a few weeks ago, and I've only just got to the point of NOT HAVING TO SHOUT IN EXCITED CAPS!!!), so I've been working away on that, and also have a few other things in the works which I think I'm meant to keep secret (but wish I didn't have to!).

And that's enough exposure for one post, I think I will go and hide now... but hopefully not leave it quite so long til my next update. :)

Glasgow Rose stole...

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New design that I'm currently working on... it's a rectangular stole version of my original Glasgow Rose shawl (inspired by the style of Charles Rennie Mackintosh). I'm using some stunningly beautiful hand-dyed cashmere/silk laceweight from K1 Yarns. Absolutely gorgeous to knit with, and lovely drape and stitch defnition.

Because I always find it interesting to see how other designers work, here's a photo that conveys the general sense of organised chaos that seems to typify my design process:

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Usually everything I do starts with scribbles in my notebook. I'm not particularly artistic but I do find that I need to sketch in order to conceptualise things like construction and proportion I work entirely from charts and only work out written instructions right at the very end of writing up the pattern. I do all my maths and draw out basic charts with pencil and graph paper, then knit from these, correcting as I go, and once I have something I'm reasonably happy with, I do a proper printed chart (seen on the right), which I continue to knit from. By the time I have a pattern ready to send out to test-knitters, it's already been test-knit at least once (sometimes more!) by me.

In other news - quite proud of my handspun merino yarn! This the third skein I've spun since I've started teaching myself and it's very exciting to watch my yarn getting more even and fine with each attempt. Hopefully it won't be long until I'm spinning laceweight, seeing as that's practically all I seem to knit with these days...

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Adventures with a drop spindle...

I've been meaning to get into spinning for a while, so recently I ordered my very first drop spindle from Purely Inspired on Folksy. My first attempt was rather, um, 'arty' looking (kind of reminiscient of Rowan's discontinued Biggy Print yarn, I suppose):

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On my second attempt I was spinning some mystery fibre with sparkly bits in it, and I managed to get it a bit thinner, something like an aran weight once plied:

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By this time I was thoroughly addicted, so I went rooting through my stash and found loads of merino roving that I'd got ages ago when I was into felting. I'm currently spinning up some of the orange stuff, trying to get it as thin as possible so that when it's plied it will be lace or fingering weight:

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